Grant Work: Widows of Varanasi
Photos and reportage for this project were supported by a grant from Getty Images + Panasonic Lumix
- Widows of Varanasi
Where do women rule, and where are they a commodity? This is the start of a project that examines the clash of cultural gender norms with individual notions of femininity and masculinity, female bonds, family, and the fluid boundaries of identity.
Thousands of widows flock to Varanasi, a holy city in the crescent-shaped bank of India's Ganges River, often in escape of family that has become abusive or neglectful after the loss of their husbands. While widows' property rights and access to resources are protected by law in India, enduring superstitions that paint them as unlucky and unworthy can override. There are the widows who remain unaware of their rights, those who subordinate themselves to custom to keep familial or social peace, and the ones who have no other option. And so, women of all ages gather in Varanasi ashrams, trailing saris in all white, the color meant to strip them of their femininity.
Yet, more widows have started to defy society's strong identity ties to marriage and elect to stay with their families instead of flee, and demand access to what's theirs. Some who come to Varanasi, redefine how their individuality fits in with spiritual tradition, by allowing themselves to celebrate holidays, and wear color — despite the expectation of white, the hue of death and asexuality. Others say they seek out the ashrams for spiritual dedication, instead of as a last resort. While isolation and uncertainty accompanies their journeys, at least in the ashrams they find shelter, a daily meal, and a community of women of the same circumstance — in other words, a second home.